Despite the claim that the Egyptian museum of Islamic arts
is the largest museum of its kind in the world, it is relatively small.
The museum was closed in 2003 for renovation and reopened in 2010.
Eight years of hard work, and eight million dollars later, an
extraordinary result emerged, which proved to be well worth the wait.
It is made up of one large floor, but has more than enough
exhibits for two to three hours of interesting viewing. The museum was
designed with an urbanely neat setting in mind. In addition to the very
high quality exhibits on display, the design makes use of natural light
to illuminate the displays. Therefore, it provides a much more
comfortable experience than that of the Egyptian Museum. All the
exhibits have Arabic and English labels and some of them also have
French descriptions. The information in English is very informative, but
some of the Arabic ones provide more data and details. However, the
printing and typography used are of a high quality.
Once you enter the museum, your eyes will first meet with a
large copy of the Holy Quran, which is claimed to contain the earliest
recorded example of the use of vowels and consonants. It belongs to the
Umayyad dynasty.
The right wing of the museum houses many artifacts, which
are displayed according to their different Islamic periods; Umayyad,
Abbasid, Fatimid, Ayyubid, Mamluk, and Ottoman dynasties.
It has a wide array of different intact pieces, ranging
from wood panels, to gold dinars to ceramic dishes. There is beautiful
jewelry, ivory and bone figurines, boxes, whole doors, mihrabs, and minbars from different mosques. Moreover, every section has its own large fountain and lanterns.
Some people find Islamic art repetitive and boring, but
this museum proves otherwise. After browsing the museum for some time,
one is astounded by the details of the artifacts. It becomes easy to
distinguish the differences between the designs from the different
dynasties and track the evolution of art through time.
The left wing of the museum is somehow different, and to
me, seems even more interesting. In addition to Egyptian Islamic art, it
holds both Persian and Turkish artifacts. The miscellaneous pieces of
this section are classified according to different themes: medicine,
science, calligraphy, textile, funerary arts, colors and lights.
Among the collection are surgical instruments, measuring
cups to gauge medical liquids, scales, sand clocks, astrolabes,
compasses for pointing out the direction of the Ka’ba to help Muslims
pray, bottles for perfumes, Persian carpets, copies of the Quran from
different countries, tombstones, funerary columns, and many more.
It is disappointing that photography is prohibited inside
the museum since there are so many things that are worth documenting. I
also expected to see a small gift shop by the museum that sells books
and souvenirs, but was disappointed to find none. Given that photography
is not allowed, it would have been great to be able to purchase
postcards of the artifacts and souvenirs to remember the trip, and which
could be a way for the museum to generate revenue. The museum has to be
among the top ten places to see while visiting or staying in Cairo. It
gives a uniquely poignant aesthetic experience.
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